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Namah                      Song-writing: an effective tool in Music therapy





        ‘Vasudhaiva Kutumbakam’’                 2. Thaut MH, Mcintosh GC, Hoemberg V.
        The Hindi version of the poem:             Handbook of Neurologic Music Therapy, Oxford,
        Ghar Ati Sunder Hai,                       UK: Oxford University Press; 2014, pp. 1-2
        Ghar Mein Bachche Khel Rahe Hain.
        Main Ghar Mein Sukhi Hoon Corona Aapke Bina.  3. Ibid.
        GharAti Sunder Hai.
        Ghar Hai To  Khushiyaan Hain Parivaar Bina   4.  Limb CJ, Braun, AR. [Online] Neural substrates
        Koi Sukhi Nahin.                           of spontaneous musical performance: an fMRI
        MeraChotaParivaarSukhi Parivaar.           study of Jazz improvisation, 2008. Available
        GharAti Sunder Hai (repeat)                from: https://journals.plos.org/plosone/
        MeraParivaar Priya Living Hai.             article?id=10.1371/journal.pone.0001679
        Hum Wapas Mil Gaye Hain Ab Main Akeli Nahin   [Accessed 29th May 2020].
        Aaj Pura Vishwamera Parivar Hai.
                                                 5. Aasgaard T. ‘Song creations by children with
        Song-writing in therapy consists of a process   cancer: process and meaning’, Institute for
        of creating the song and all the musical, verbal   Music and Music Therapy, Aalborg University;
        and bodily communication involved in that   2002.
        process. The therapeutic process concerned
        with song-writing does not end when the   6. Aigen K. Conversations on creating community:
        song is completed.The process evolves further   performance as music therapy in New York City
        once the product is achieved.The therapeutic   Community Music Therapy. London: Jessica
        process with the product continues as the song   Kingsley Publishers; 2004.
        is rehearsed with the different instruments, as
        the song is sung repeatedly in therapy, as the  Suggested reading
        song is performed for other therapists,family
        or friends or sometimes even performed in   1.   Anshel A, Kipper DA. The influence of group
        concerts (5,6).                             singing on trust and cooperation. Journal of
                                                    Music Therapy 1988: 25: 145-55.
        The meaning of a song, and the therapeutic
        potentials of songwriting in music therapy   2.   Baker, F, Tamplin  J. Music Therapy Methods
        then, is not only connected to the song as   in Neuro rehabilitation: a clinician’s manual.
        the certain expression, but to the relational   London: Jessica Kingsley Publishers;  2006.
        experiences of the song-writing process and
        to the use of the song inside and outside of   3.   Baker, F Wigram AL (eds). Song-writing:
        the music therapy room.                     Methods, echniques and clinical applications for
                                                    music therapy clinicians, educators and students.
        References                                  London: Jessica Kingsley Publishers; 2005.

        1.  American Music Therapy Association [Online]   4.   Baumgartner T, Esslen M, Jancke L. From emotion
          Available from: https://www.musictherapy.  perception to emotion experience:emotions
          org/ [Accessed 27th May 020].             evoked by pictures and classical music. International
                                                    Journal of Psychophysiology 2006; 60: 34-43.


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