Page 45 - NAMAH-Apr-2024
P. 45

Namah                                      Musical Notes and Emotions





        be kept in mind that the singing of the scale  two sectors, the first of which always has the
        always produces a double level of action:  Maa  (SSudda Madyama) present, the second
                                                    1
                                                                             a
        one in the physical body and the other in the  (Prathi Madyama) always the Ma .
                                                                             2
        psychic and emotional sphere.
        The Practice of Singing Therapeutic
        Musical Scales


        We now come to consider the practice of
        singing according to the principles and
        techniques of Nāda Yoga . This discipline
        (because this is what it is about) is very
        ancient and we can also find traces of it
        in the Greek world. Pythagoras, in fact,
        made his disciples sing the scales (modes),  The Melakartaa System was proposed by
                                                        a
        even if only in the descending phase, i.e.  Ramamatya in his work Svaramelakalanidhi (c.
                                                                                 a
                                                   a
        skipping the ascending one. The reason lies  1550). He is considered the father of the mela
        in the fact that, as we will see, the ascending  system of ragas. Later, Venkatamakhi in the
                                                            a
        phase is responsible for the transformation  17th Century, exhibited his work, Caturdandi
        of emotional energy-blocks, while in the  Prakaassikaa, a new cataloguing known today
                                                            a
        descending phase a consolidation of the  as Melakarta.
        result and a form of psychic and spiritual
        enrichment, of evolutionary growth takes  The therapeutic scales are toned using the
        place. Pythagoras’ pupils had already largely  pronunciation of the phonemes corresponding
        passed the first phase and the higher level  to the Carnatic system, both in the ascending
        was destined for them.                   phase (Saa, Re, Gaa, Maa, Paa, Dhaa, Nī, Saa), and
                                                 in the descending phase (Saa, Nī, Dhaa, Paa,
        By ‘scale’ we mean a sequence of intervals  Maa, Gaa, Re, Saa), with a rhythmic division
        (they can be of seven, six or five notes) which,  which, starting from a value of 4/4 per note,
        starting from a tonic of your choice, arrive  continues by gradually halving the speed,
        at the same note, but at the octave (and  until reaching the maximum possibility. As
        therefore double the initial frequency). This  a starting tonic note, it would be advisable
        is technically ‘one way’. In the musical system  to use the one corresponding to your own
        of south India (Carnatic) we have 72 basic  personal Tonic   or, not knowing it, choosing
                                                              2
        heptatonic scales (with seven different notes)  between G and C, the most suitable ones for
                   a
        — Melakarta System, from which other scales  generic use. As a basic rhythm, the speed
        with six (hexatonal) or five notes (pentatonic)  should be that of your natural rhythm: to
        can be obtained. The scales are grouped in  find it, just do a few pulse checks as soon

        2  The personal tonic note is the frequency (expressed in Hertz) detectable in the spoken voice,
        which corresponds to the state of calm, centeredness and mental lucidity: it is physically
        located at the navel.

                                                                                     45
   40   41   42   43   44   45   46   47   48   49   50