Page 49 - NAMAH-Apr-2024
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Namah                                      Musical Notes and Emotions





        with particular attention to the period in which
        menstruation would normally have occurred.
        Within two months of continuous practice,
        menstruation reappeared regularly, restoring
        the woman to full physical and emotional
        efficiency.

        Case Study No. 2

        In this second case, referring to a 40-year-old
        man (Carlo M.), suffering from constipation,
        the chanting of the Mayamalawagaula scale  Fig. 9 a): Mayamalawagaula scale in Melakartaa
                      a
        (n. 15 Melakarta) was applied after the usual  System and
        initial practice of the AUM Mantra. This
        heptatonic scale is one of the four fundamental
        scales in Nāda Yoga, together with the n.22
        Karaharapriya, the n.29 Dirassankarabaranam
                            a
                             n
        and the 65 Mlechakaliyani. Mayamalawagaula is
        also the reference scale in the Carnatic musical
        practice of south India (in the northern
        Hindustani system it is based instead on the
        Kalyan That (Mlechakaliyanni).
                              a
        In the Nāda Yoga discipline, this scale is used
        for various purposes, the first of which is to act
        on attention, concentration, memorisation and  b) in Nāda Yoga simplification
        coordination of the cerebral hemispheres, in   C D♭  E  F  G     A♭    B    C
        practice on what we can define as ‘operational
        intelligence’. In schools in South India, students   SA RE GA MA PA  DHA  NI  SA
        are made to sing at the beginning of lessons,   ½  1½  ½    1    ½    1½    ½
        in order to awaken their attention and prepare
        them for learning.                       Fig. 10:  Mayamalawagaula with English notation
                                                 and tone intervals


                                                 It is a particular scale that has two important
                                                 structural characteristics. It is coherent, that is, it
                                                 has the same intervals in both the ascending and
                                                 descending phases, and then it is symmetrical:
                                                 the intervals of the first section (Sa-Ma) are
                                                                                a
                                                                                   a
                                                 the same as those of the second (Paa-Saa). In
        Fig. 8: Western Musical notation of Maya-  addition, it contains two long intervals of
        malawagaula scale                        one and a half steps (R - G and D - N). These


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