Page 18 - NAMAH-Oct-2024
P. 18

Namah                                  Vol. 32, Issue 3, 15th October 2024





        angle yields a new meaning. You can work  showed up in our dream. Why it did what
        with a dream image that is alive for you years  it did. What is it feeling, what does it need
        after you have had it. And every time you  from us? We speak as the dream object; then
        work with the dream, you discover a new  we return to our dream-ego, and speak as
        meaning. Because dreams offer images and  our self. We allow full freedom to the dream
        not meanings to the images, one can look  object. Kaplan-Williams shares the magic of
        at the image from various angles, draw out  dialogues in his chapter called, ‘Dialoguing
        personal associations, cultural associations,  with Dream Images’:
        archetypal and mythological associations,
        not just from one culture, but the world over.  “What an exciting possibility it is not to have
                                                 to always try and be in control of everything,
        Dialoguing with our dreams               but to be able instead to follow, to work with,
                                                 to create together a life direction superior in
        Not only is dreamwork an exercise of associ-  meaning to anything the ego can consciously
        ations, a dream can be passed through the  manufacture itself (9)!”
        prism of language and be processed as a
        dialogue, for language too hides symbolic  The power of dream dialogues was revealed
        clues. Psychologist Erich Neumann states,  to me when I did an exercise to dialogue
        “And because the symbol-forming process of  with one of my dream objects. My dream
        the unconscious is the source of the human  was about extracting expensive clothes
        spirit, language, whose history is almost  and perfumes from a suitcase. I seemed to
        identical with the genesis and development  recognise the clothes and the perfumes as
        of human consciousness, always starts out as  mine, although in waking life I would not
        a symbolic language (8)”. This is why dream  call them mine. I kept some clothes and
        analysis asks us to pay attention to the words  perfumes aside to carry them home, in
        we use to describe dream objects. If we hear  batches. I started the practice by centring
        proper names of people and places, they are  myself with a meditation. This allowed the
        important clues; just as images and their size,  active imagination to be triggered. I had a
        colour, texture, and positions are.      dialogue with the suitcase. I alternately wrote
        We can ensoul a dream object or dream  from my perspective and from that of the
        personality by dialoguing with it, using  suitcase. It is hard to believe that a person can
        active imagination. We can ask it why it  switch back and forth between personalities
                                                 and not force an answer from the ‘other’. Yet
                                                 it works, and with practice, one gets better at
                                                 bypassing the observer-commentator ego and
                                                 letting the active imagination unfold. There
                                                 is a psychospiritual reason for the success
                                                 in dialoguing, as Kaplan-Williams explains:

                                                 “From my own experience and as well as other’s
                                                 experiences, I can say that dreamwork is
                                                 soulwork. That somehow, somewhere there is a


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