Page 44 - NAMAH-Oct-2020
P. 44

Namah                                  Vol. 28, Issue 3, 15th October 2020





        Little wonder, there is a wing of psychotherapy  A repressed emotion can be explored in
        called drama therapy. Every night in our  various forms of expressive arts, such as
        dreams we escape the straightjacket of our  dance, poetry, songs, drawing. It can become
        social circumstances. Pretend play makes  a dialogue with the tormentor, and with
        us imaginative, dreamy, trippy. Creative  the witnesses. Reality can be re-imagined.
        juices moisten our souls. We get to live many  Emotions can be amplified to get to the heart
        lives within a single life. The therapist’s  of the matter. When the actor shares the drama
        chamber is called the ‘Play Space’. Here  with others, chances are that she will meet
        the analysand gets to relax, pretend to be  others who have had similar experiences.
        one of her personalities, imagine dialogues  They will be willing to share, finding in her
        with others or with sub-parts within herself.  a sympathetic listener. Together they can
        She can be her future or ideal self. She can  support each other.
        create a dynamically changing scenery, full of
        unknowns, that keeps her curiosity fresh. The
        game starts with no pre-meditated goal. As
        she explores the inner space, with or without
        prompts from the therapist, the analysand
        actively imagines the next move. She creates
        a formation that could materialise in her real
        life. Such is the power of play-acting, which
        is why drama therapy has a track record of
        success stories.

        Drama can be healing when done
        intentionally. Its secret of healing lies in   Is it easy to enact one’s own traumas? Not at
        the fact that it pulls out an affect that was   all. The process of psychotherapy is self-work
        repressed within, such as a childhood    and therefore hard work. Imagine if Draupadi
        trauma, or some shame or guilt. These    were to act out the court scene where she
        energies are like churning eddies that pull   was insulted she would have to relive that
        the person down. Repressions show up as   trauma. But she also gets to imagine a new
        symptoms in the other layers of the being   outcome. She could put words in the mouth
        — as lack of mental concentration, dullness   of the elders like Bheeshma and Drona, who
        in the vital, or skin diseases in the physical.   were silent witnesses to her shame. She could
        All these together are called pathologies,   enable her husbands to protect her honour. In
        which can be cured with drama therapy,   fact she could change the script so drastically
        because it is a tool to draw out hidden   she would never become a gambling bet.
        stuff. The person enacts the traumatic   Women in Draupadi’s situation, who have
        event in her life. The retelling of her story   access to healing services, re-enact the dramas
        dislodges it from her inner being and places   of their abuse in therapy sessions. Even
        it outside, in a larger space. The victim   watching a drama can be healing.
        can get fresh air to breathe, which means
        a fresh perspective.                     Dramatists have re-written the scene from the


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